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No.46 • The Shapeshifting, Quick-Change Issue



































Virginie Colline

Inky Milk 

I'm lying on that beach
Frozen to the heart
What am I to do
In this sand this quick
In this night this dark?
The sea is crying over spilt milk
Black silk and sweet lactescence
Wave after wave
Song after song
Languid poems are rolling on the shore
A whisper, a caress and nothing more.


Illustration by HengkiKoentjoro (with his kind permission)






Katrina A. Madarang


21st Floor


Twenty one stories, top of the world
We stand in the wind bathed in ocean’s perfume
Our demons hush in awe of tonight:
The electric lights below are like fireflies

Beneath God’s blanket – that vast velvet dome –
neon lights shine like stars in a paved galaxy
A reflection of the divine on earthly pond
A picture-perfect stranger twenty one floors down

All the city, from our celestial height, seems
harmless and sweet (distant sirens become like buzzingbees)
But a faint whisper in the wind otherwise begged:
The world dances on the shards of porcelain dreams

Presses its feet down on the bent backs of tired men
The young and the old alike seek the embrace
of corners to cry, their prayers offered with sighs
Lift the veil from this city of fireflies

(Our demons hush in awe of tonight) 




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No.45 • Worlds Meet, Time Passes Issue


Desmond Kon Zhicheng-Mingdé


The Eleventh Hour


“Which stepping stone am I now on?” The months have turned, geometric years into forgotten emotion. A wafting oleander. An arc of light like velvet. Hans Arp has redotted his i-picture with a cleat, an epistolary and erasure. A new candle, white wax. More light flooding the room, tumbling threads like Russian thistle. Books. Fresco. Ballad and echo. Two farmhouse chairs. A breakfast nook and tray. The Aegean Sea in acrylic. Tapestry. “I’ve forgotten how to love beyond these four walls,” Georgia slides her index finger down a corner. “One day, they’ll recede. And in their vanishing, I’ll learn to remember.”




Unit Square of Gleizes

The next square is a lonelier night, muffled confession. Spit mixed in with ylang ylang, oil blessed in a vial. The next square, five fingers like epagomenal days for the Parsis, each lunisolar chart another trace. Square peg of this old town, belt buckle, his strong jaw unshaven. Of his chest and how it felt before he left for Montana. Square as the stave church. In the folk museum, ash-covered timber. Are the lines continuous, specified by design? Do they lie inside the mosaic ring? Square the diagonals for Albert Gleizes seated. By the bathers, entangled legs as planar an area.


















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PAGES ARE BEING UPDATED FOR NEXT ISSUE
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NO.44 • JUNE-JULY 2011 • THE 150&50 ISSUE



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No.43 • April-May 2011



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No.42 • March-April 2011


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